{"id":19104,"date":"2018-06-29T08:27:53","date_gmt":"2018-06-29T06:27:53","guid":{"rendered":"http:\/\/www.ledizioni.it\/?post_type=product&p=19104"},"modified":"2022-06-16T20:47:33","modified_gmt":"2022-06-16T18:47:33","slug":"c-storskog-literary-impressionisms","status":"publish","type":"product","link":"https:\/\/www.ledizioni.it\/en\/product\/c-storskog-literary-impressionisms\/","title":{"rendered":"LITERARY IMPRESSIONISMS"},"content":{"rendered":"

[amazon_link asins=’8867057243′ template=’PriceLink1′ store=’ledizioni-21′ marketplace=’IT’ link_id=’d8999bfa-dc2b-11e8-87ea-fd5898ea1043′]<\/p>\n

This book aims to locate and draw out resonances of impressionism in Swedish and Finland-Swedish prose at the end of the nineteenth century, a field hitherto overlooked in the critical debate on literary impressionism. In order to frame the many alternative approaches to this issue, it examines the use of the term \u2018literary impressionism\u2019 not only on the Scandinavian scene but also in an international context. By focussing on three landmark discussions in the Nordic countries (Herman Bang, the Kristiania Boh\u00e8me, August Strindberg), an inclusive, wide-ranging Scandinavian understanding of the relationship between impressionism and literature is advanced. The texts chosen for closer scrutiny disclose this extensive interpretation of impressionist writing: Helena Westermarck\u2019s short story Aftonst\u00e4mning (Evening Mood) from 1890 is read as an example of interart transposition, Stella Kleve\u2019s novels and short stories are seen as indicative of the narrative modes of a literary impressionism drawing on scenic representation, but also present textual features such as the \u2018metonymic mode\u2019 and \u2018delayed decoding\u2019, elements that are central to the international approach to impressionist prose. The concluding analysis of fictional impressionists in the works of authors such as Gustaf af Geijerstam, Mathilda Roos, and Georg Nordensvan sketches a many-sided portrait of the impressionist painter while remaining true to this study\u2019s pluralistic approach by including a discussion of K.A. Tavaststjerna\u2019s Impressionisten (The Impressionist) from 1892, whose protagonist is not an artist but a hypersensitive, impressionable subject. This last section also investigates how fiction is used to convey a critical discussion of the means and methods of painterly impressionism, as well as the function of the use of the visual arts in these texts.<\/p>\n

DATI BIBLIOGRAFICI<\/strong><\/h3>\n

Autrice: Camilla Storskog
\nEditore: Ledizioni
\nCollana: Di\/Segni<\/a>
\nFormato: Brossura, 260 p. – PDF in Open Access
\nPubblicato in: Giugno 2018
\nISBN cartaceo: 9788867057245
\nPrezzo cartaceo: 28,00 \u20ac<\/p>\n

\"\"<\/a><\/p>","protected":false},"excerpt":{"rendered":"

[amazon_link asins=’8867057243′ template=’PriceLink1′ store=’ledizioni-21′ marketplace=’IT’ link_id=’d8999bfa-dc2b-11e8-87ea-fd5898ea1043′] This book aims to locate and draw out resonances of impressionism in Swedish and<\/p>","protected":false},"featured_media":19107,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[1080],"product_tag":[764],"class_list":{"0":"post-19104","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-disegni","7":"product_tag-open-access-2","8":"pa_formato-cartaceo","9":"pa_formato-ebook-in-pdf","10":"pa_lingua-inglese","12":"first","13":"instock","14":"featured","15":"shipping-taxable","16":"purchasable","17":"product-type-variable"},"acf":[],"yoast_head":"\nLITERARY IMPRESSIONISMS<\/title>\n<meta name=\"description\" content=\"Ledizioni - Innovative Publishing. Casa editrice universitaria. Open Access. eBook, ePub. 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